CGC and Michael Bair Embrace the Crisis
Bair
to sign for fans and submit IC 4 insert editions at
the National — November 20, 2004 in NYC
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| Michael Bair |
Artist
extraordinaire Michael Bair, who is inking DC's smash
hit limited series, Identity Crisis, will be on hand
and signing at the CGC Booth from 2:00pm – 3:00pm
on Saturday, November 20th during this year's
National Comic Book, Sci-Fi & Art Expo held in New
York City. In addition to doing this signing, with all
autographs being eligible to be handed in at the CGC
booth for CGC Signature Series certification, Michael will
be certifying 10 of his personal creator copies of the
rare Identity Crisis #4 with the "Sky Captain
and the World of Tomorrow" poster insert for the
prestigious CGC Signature Series.
According to Bair, "The entire print run of Identity
Crisis #4 had Sky Captain movie posters inserted in
the middle of the book. When management saw the preview
copy, they discovered the poster interrupts the double
page spread in the center that made it impossible to
read the story in continuity. Originally, the copies
were to be destroyed and reprinted but having the posters
removed would probably be more cost effective and they
knew of a process of doing it without damaging the books."
However, preview copies were already sent out to the
creators directly from the printer. Bair did not learn
of the error variants until a couple of days before
the Baltimore Comic-Con. At the Baltimore Comic-Con,
Bair submitted his copies to CGC, the hobby's
only expert, impartial certification and grading service.
These books were graded on site on September 11th and
12th 2004, which pre-dates the issue's release
date of September 15th. Of the five books submitted,
there are two Universal 9.4s, two Signature Series 9.4s
and one Signature Series 9.2. All the books bear the
"Sky Captain and the World of Tomorrow poster
insert" on the CGC label. Bair will be submitting
ten more copies for onsite grading at the National.
"I met Michael in a hotel lobby at San Diego years
ago, we hit it off right away, and spent about an hour
talking about comics," said Steve Borock, CGC's
President and Primary Grader. "Not only am I a
big fan of his art, but I am very happy to have a friend
and professional like Michael involved with the CGC
Signature Series. Every day, more and more comic book
fans are finding out how great CGC's Signature
Series is, and having someone like Michael involved
will help get the word out to fans who, believe it or
not, don't know about it yet."
"I have been familiar and supportive of CGC since
their inception and have come to know the staff through
previous CGC Forum Dinners," said Bair. "When
I found out that these books had the rare insert, I
thought it would be best to have them CGC'd for
the historical reason of having this insert documented
and for preservation."
Previous to inking Identity Crisis, Michael has left his
mark on many of the DC characters from stints on such
fan favorite titles as Hawkman, JSA, JLA Year One, and
The Kents (DC Elseworlds). Bair has also done incredible
work for Harris Comics (Vampirella), Marvel Comics (Hellstorm)
and others.
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The 'Other' Nedors Michelle Nolan
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Earlier
in this series, we talked about collecting three of
the ultimate "generic" anthologies of the Golden Age
– Thrilling Comics, Startling Comics and Exciting
Comics from Nedor/Better/Standard Publications. But
every representative Golden Age collection would do
well to consider adding a few issues of the other five
regularly published Nedor super hero titles of the 1940s.
There were five of these comics: the title-character-oriented
Black Terror #1-27 and Fighting Yank #1-29; the much
lesser-known anthologies Wonder Comics #1-20 and Mystery
Comics #1-4; and the largely super hero anthology America's
Best Comics #1-31, almost all of which are Golden Age
gems. In all, there were only 111 issues of these five
titles combined. The inimitable Alex Schomburg did the
vast majority of those 111 covers – all pictured
in the Gerber Photo-Journal – in typically bravura
style.
If
you just like collecting solid examples of Golden Age
heroic comics, America's Best is an irresistible title
from a character standpoint, though not with regard
to exemplary art or story considerations. The title,
which ran 31 issues (February 1942 through July 1949),
was Nedor's version of DC's World's Finest Comics and
Comic Cavalcade (although America's Best started before
Comic Cavalcade or America's Best was never square bound).
The first five issues of America's Best were 68-page
gems, all featuring four lengthy super hero stories.
Issues #6-8 were 60 pages. You can't go wrong with any
of these issues, especially since they all have attractive
World War II covers. They cover all the "big guns" of
Nedor except Fighting Yank, who curiously did not appear
in America's Best until #9 (April 1944). Black Terror
and Doc Strange were in #1-8; Captain Future in #1-3
and 5; The Liberator in #1, 3-5 and 8; The American
Eagle in #2, 6 and 7; The American Crusader in #6; and
Pyroman in #3-8. The issues with five super heroes (not
counting the non-powered Woman in Red in #1-2) are #3,
5, 6 and 7 – and how many Golden Age comics had
five different colorful super heroes?
America's Best #9-31 all were 52-page issues except
#15, 16, 30 and 31. They all contained three or four
super hero stories through #29 including a latecomer,
Miss Masque, in #23-31. If you only want to buy two
or three issues of America's Best, my advice is to check
out the contents of any you see and buy it if you like
it. Many of the covers are in the humorous vein of World's
Finest and Comic Cavalcade – among the few such
ads in the history of Nedor, which generally preferred
action-packed or symbolic covers.
The Fighting Yank, running Sept. 1942 to Aug. 1949,
carried some of the finest covers of the World War II
era, including several of Schomburg's most grotesque
images (he illustrated #4-29). The Fighting Yank appeared
in three stories in most issues and in four full-length
tales in #1 and #2, which were the only 68-page issues.
The only other heroes who appeared among generally lackluster
backup features were The Grim Reaper in #7, The American
Eagle in #18, Miss Masque in #22 and 24 and The Cavalier
in #25. The Cavalier surely was among the most little-known
heroes ever to be featured in a 10-page story. The highlight
for art lovers was the teamup efforts of Jerry Robinson
and Mort Meskin in Fighting Yank #25-29. Their interior
work was far and away the finest in Nedor's super hero
history.
The
27-issue run of The Black Terror, like The Fighting
Yank, ran approximately quarterly for the same seven
years. Schomburg illustrated all the covers but the
first one (remember, he signed some of his covers Xela
– Alex backwards). Except for #11, The Black Terror
appeared in three stories in every issue (four stories
in #24 and 25, albeit shorter tales). The only costume
hero backup feature of note was a Miss Masque story
in #21. The Robinson-Meskin team did noteworthy work
in #23-27, ranking with their material in The Fighting
Yank as the finest in Nedor's history. The first two
issues were 68-pagers.
Wonder Comics featured two Wonder Man covers by famed
EC artist Graham Ingels in #11 and 12; otherwise, they
were done by Schomburg for the 20 issues of this lesser-known
title, which ran from May 1944 to October 1948. Standard
seemed to have cancelled the title with #7 (Jan. 1946),
only to pick it up again with #8 (October 1946), apparently
when more paper was available. The only true costume
heroes were The Grim Reaper in #1-17 and Wonder Man
(also know as Brad Spencer, Wonder Man) in #9-20. Schomburg
turned in nifty science fiction covers for the Tara
strip in #16-20. Tara, similar to science fiction strips
then running in Planet Comics, started #15 and was among
the few science fiction characters to earn a cover in
the 1940s. Frank Frazetta drew The Silver Knight in
#20 and contributed to Jill Trent in #17, but this wasn't
among his most collectible work and the printing was
poor.
Brad Spencer, Wonder Man also appeared as the primary
feature in Mystery Comics #1-4, none of which were dated
but all of which were copyrighted 1944 by the William
H. Wise Co., which apparently distributed this title
through Nedor. This 52-page series featured mostly science
fiction and jungle strips, none of them distinguished.
Schomburg's covers were the most noteworthy aspect of
the series. Many of the characters in Mystery Comics
also turned up in two William H. Wise one-shots copyrighted
1944: the 196-page America’s Biggest Comics Book
and the 132-page Complete Book of Comics and Funnies.
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Leading Auction House
for CGC Graded Comics HeritageComics.com
Membership Reaches 30,000!
In under three years since its inception, Heritage Comics
Auctions (HCA) has registered 30,000 online bidder-members
to the www.HeritageComics.com
Web site. HCA's parent company, Heritage Galleries &
Auctioneers, the world's largest collectibles auction
firm, has a total of 185,000 online registered bidder-members.
More
about HCA Web site membership.
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Quality Comics Offers High
Grade CGC Certified J.I.M. Run
Quality Comix, LLC is pleased to announce that they
will be offering a near complete run of CGC certified
Journey Into Mystery from # 84 - 125 on their web site,
www.qualitycomix.com
on Monday, November 1st. All but one book are CGC certified
and about 75% are graded 9.4 or 9.6! Many of these books
have never been offered to the public before and some
are the highest graded copies according to the latest
CGC census. This collection includes 39 books and represents
one of the best Journey Into Mystery runs ever assembled.
Some highlights include #84 CGC 9.0, #87 CGC 9.4, #89
CGC 9.2, #91 CGC 9.4, #98 CGC 9.6, #109 CGC 9.4 and
#112 CGC 9.4. A sampling preview of this incredible
run can be viewed
here. Please contact Brent Moeshlin at bmoeshlin@qualitycomix.com
or 334-300-1106 for more information.
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