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NO BUYER'S PREMIUMS — What you bid is what you pay! Original Art Auction Session 2 Highlights With nearly a thousand lots, this is our largest original art auction ever. This auction is so big, we had to spread it out over two nights! “There was so much amazing art in this auction that we had to split it up into two sessions over two days,” COO of the world record holding auction house, Vincent Zurzolo disclosed. “everything from the Golden age to the Modern Age is in there, including part three of our Walking Dead art collection. There is honestly something for everyone in this massive art auction.” ComicConnect’s next Event Auction is currently underway, and the second art session will end on Tuesday, August 28th at 7pm EDT. “It has been our pleasure to bring rare, original art pieces to market for our loyal customer base, and we hope that everyone can find something to bid on and win,” Zurzolo continued. “The market for comic book art continues to grow, as this once small insider hobby has become almost as popular as collecting the comics themselves. We continue to be impressed by the solid investment opportunities these special pieces present to our clientele.” Session Two highlights include: Lee Elias’ Terry and the Pirates cover to issue #25, Philip Tan’s cover to Savage Hawkman #5, a Prince Valiant Sunday strip by Harold R. Foster, a Steve Ditko page from Scary Tales #8, a Kirby/Ayers page from the rare World Around Us “The Sea” issue, plus tons of original Walking Dead art by Tony Moore, Charlie Adlard and John Watkiss. ------------------ Original Art lots end: Session 1 (Original Comic Art: A - P) August 27, 2018 Session 2 (Original Comic Art: P - Z and Comic Titles: Action Comics #1 - Action Comics #47) August 28, 2018 Bid Now! Event Auction ends the week of August 27-31st! Click here for more info on ComicConnect's 2018 Event Auction XXXVI! Click here to view the entire Event Auction! ComicConnect is currently accepting consignments for their next major auction. Contact them today to reserve space as it is on a first-come first-served basis. Call toll-free 1.888.779.7377 or e-mail their staff at support@comicconnect.com. Cash advances up to $5 million are available. ------------------ ------------------------------------------------------ ComicConnect is currently accepting consignments for their next major auction. Contact them today to reserve space as it is on a first-come first-served basis. Call toll-free 1.888.779.7377 or e-mail their staff at support@comicconnect.com. Cash advances up to $5 million are available. -
ComicConnect's Event Auction XXXVI ends this week! Tonight - Session 1 (Original Comic Art, Memorabilia) ATTENTION - Original comic art and comic book investors and collectors -- the moment we’ve all been waiting for has arrived! Event Auction XXXVI ends each night this week. Click here to view the entire auction The auction end-dates are as follows: Session 1 (Original Comic Art) August 27 at 7PM EDT Session 2 (Art plus Action #1 - #47) August 28 at 7PM EDT Session 3 (Action #48 – Crypt of Terror) August 29 at 7PM EDT Session 4 (Dagar Desert Hawk – More Fun Comics #62) August 30 at 7PM EDT Session 5 (More Fun Comics #70 - Zoot) August 31 at 7PM EDT Original Art Auction Our largest original art auction ever, with nearly 1,000 auction lots with vast time periods represented and genres diverse. The auction features the third selection of our Walking Dead Art with many key covers, splashes, and pages that will impress. Rick, Negan, and the gang are all represented with great pages from issues #1 and 2. Jack Kirby pages from Fantastic Four #39, 43, and Annual 2, and even Destroyer Duck! George Perez on Avengers #198 with Captain America, Iron Man, Beast, Jocasta, and Red Ronan of the Shogun Warriors. Neal Adams’ cover to Justice League of America #96 and an unpublished Justice League of America #81 cover by Gil Kane will please any DC fan. Other great pieces include Jerry Robinson’s cover to Green Hornet Comics #28, a Steve Ditko Tales of Suspense page from issue #47, a Harold Foster Prince Valiant Sunday, the cover to Alarming Tales #2 by Mort Meskin, and a magnificent Godzilla painting by Bob Eggleton. Visit ComicConnect to view the entire auction Tonight's highlights Click here for the entire auction ComicConnect does not charge buyer’s premiums. Winners pay the hammer price plus shipping (and sales tax only if they live in the State of NY). ComicConnect provides free scanning for all CGC-certified comics shipped to us for auction at $1 start, no reserve. ComicConnect offers cash advances up to $5 million for top-notch consignments and we are always buying collections - big or small. ------- Best of luck to all of our bidders! ----------
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NO BUYER'S PREMIUMS — What you bid is what you pay! Original Art Auction Session 1 Highlights With nearly a thousand lots, this is our largest original art auction ever. This auction is so big, we had to spread it out over two nights! The first session lots run from a lovely Curt Swan Action #455 page that features a robot, Superman, and the bottled city of Kandor, through to a cool Punisher sketch by the prolific Irish artist Declan Shalvey. In between, collectors will find a Bob Montana Archie Daily from October, 1947, a sweet selection of Ross Andru Amazing Spider-Man pages, a George Perez cover for Avengers #198, a gory Williamson/Frazetta page from Crime SuspenStories #17, an early Fantastic Four pages by Jack Kirby, and later FF pages by John Byrne, a beautiful Godzilla painting from the Godzilla: Age of Monsters trade paperback by famed sci-fi artist Bob Eggleton, a stunning Jim Cheung variant cover for the fifth issue of the 2012 Iron Man series, the Neal Adams cover for Justice League of America #96, and a can’t be unseen unused Gil Kane cover for Justice League of America #81. ------------------ Original Art lots end: Session 1 (Original Comic Art: A - P) August 27, 2018 Session 2 (Original Comic Art: P - Z and Comic Titles: Action Comics #1 - Action Comics #47) August 28, 2018 Bid Now! Event Auction ends the week of August 27-31st! Click here for more info on ComicConnect's 2018 Event Auction XXXVI! Click here to view the entire Event Auction! ComicConnect is currently accepting consignments for their next major auction. Contact them today to reserve space as it is on a first-come first-served basis. Call toll-free 1.888.779.7377 or e-mail their staff at support@comicconnect.com. Cash advances up to $5 million are available. ------------------ ------------------------------------------------------ ComicConnect is currently accepting consignments for their next major auction. Contact them today to reserve space as it is on a first-come first-served basis. Call toll-free 1.888.779.7377 or e-mail their staff at support@comicconnect.com. Cash advances up to $5 million are available.
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NO BUYER'S PREMIUMS — What you bid is what you pay! Original Art Auction Session 1 Highlights With nearly a thousand lots, this is our largest original art auction ever. This auction is so big, we had to spread it out over two nights! The first session lots run from a lovely Curt Swan Action #455 page that features a robot, Superman, and the bottled city of Kandor, through to a cool Punisher sketch by the prolific Irish artist Declan Shalvey. In between, collectors will find a Bob Montana Archie Daily from October, 1947, a sweet selection of Ross Andru Amazing Spider-Man pages, a George Perez cover for Avengers #198, a gory Williamson/Frazetta page from Crime SuspenStories #17, an early Fantastic Four pages by Jack Kirby, and later FF pages by John Byrne, a beautiful Godzilla painting from the Godzilla: Age of Monsters trade paperback by famed sci-fi artist Bob Eggleton, a stunning Jim Cheung variant cover for the fifth issue of the 2012 Iron Man series, the Neal Adams cover for Justice League of America #96, and a can’t be unseen unused Gil Kane cover for Justice League of America #81. ------------------ Original Art lots end: Session 1 (Original Comic Art: A - P) August 27, 2018 Session 2 (Original Comic Art: P - Z and Comic Titles: Action Comics #1 - Action Comics #47) August 28, 2018 Bid Now! Event Auction ends the week of August 27-31st! Click here for more info on ComicConnect's 2018 Event Auction XXXVI! Click here to view the entire Event Auction! ComicConnect is currently accepting consignments for their next major auction. Contact them today to reserve space as it is on a first-come first-served basis. Call toll-free 1.888.779.7377 or e-mail their staff at support@comicconnect.com. Cash advances up to $5 million are available. ------------------ ------------------------------------------------------ ComicConnect is currently accepting consignments for their next major auction. Contact them today to reserve space as it is on a first-come first-served basis. Call toll-free 1.888.779.7377 or e-mail their staff at support@comicconnect.com. Cash advances up to $5 million are available.
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AVENGERS #198 George Perez pencils (signed), Terry Austin inks; Roy Richardson mixed media colors; 11" x 17" FANTASTIC FOUR ANNUAL #2 Pg. 9; Jack Kirby pencils, Chic Stone inks; 12.5" x 18.5" FANTASTIC FOUR 1961-96 #209 Pg. 30; John Byrne pencils, Joe Sinnott inks; 11" x 17"
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Howdy folks! Well now that Rick @Ricksneatstuff has taken a break, sold his very nice copy of Avengers #1 and no one has any money left I'm putting my Avengers #1 up for sale. De-slabbed 2.5 Restored with small amount of glue on spine(I believe it's down at the bottom staple, which is barely hanging on! Top staple is secure. Comes with label. Book has been pressed. A restored 2.5 just recently sold on eBay for $932.00 with color touch and tear seals to cover along with the glue on spine. Rules: First in thread trumps any PMs. I refuse to sell to Probates or naughty people in general. Shipping is included in the price for continental USA, but I'll sell to our friends in Canada on their dime. Payment: PayPal preferred, but will accept MO or check if that's your thing. Returns: Full refund If not happy with the book, but please contact back within 5 days of receiving, maybe we can work it out. PLEASE LOOK CAREFULLY AT ALL PICTURES TO UNDERSTAND CONDITION AND ASK ANY QUESTIONS. Scans upcoming....
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Hey all, I had some stuff that was on sale at SDCC and I am now offering it here and on CAF at a discount for a limited time. I am open to offers and trades. Here is a link to my for sale gallery: http://www.comicartfans.com/galleryroom.asp?gsub=167941 RickyB -
About 50+ auctions closing this week. Here is a list of the top stars: Batman #220 CGC 9.2 White Pages Neal Adams Cover https://www.ebay.com/itm/Batman-220-CGC-9-2-White-Pages-Neal-Adams-Cover-DC-Comics-1970-/382473751583?hash=item590d364c1f Batman #242 CGC 9.4 White Pages Kaluta Cover https://www.ebay.com/itm/Batman-242-CGC-9-4-White-Pages-Michael-Kaluta-Cover-DC-Comics-1972-/382473756472?hash=item590d365f38 Kamandi #12 CGC 9.8 White Pages Jack Kirby Art https://www.ebay.com/itm/Kamandi-12-CGC-9-8-White-Pages-1st-App-Spirit-Kirby-Cover-Art-1973-/113016821965?hash=item1a5053d8cd Shadow #1 CGC 9.8 OW-White Pages Kaluta Art https://www.ebay.com/itm/Shadow-1-CGC-9-8-OW-White-Pages-Kaluta-Cover-Art-DC-Comics-1973-/113016701452?hash=item1a5052020c Amazing Spider-Man #137 CGC 9.6 OW-W Green Goblin App https://www.ebay.com/itm/Amazing-Spider-Man-137-CGC-9-6-OW-White-Pages-Green-Goblin-Marvel-Comics-1974-/113019909895?hash=item1a5082f707 Check them out here (links to eBay store): www.miraclecomics.com
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MACHINE MAN #1 CBCS 9.0 WHITE PAGES verified signature JACK KIRBY on 1st page on bottom border. Starting bid $99. BIN $499. More pics on eBay https://www.ebay.com/itm/282983994317?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1558.l2649
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Hi all! Putting up a few pieces for sale. Only looking to sell 1-2 pieces so I can hopefully complete another transaction. Open to offers and time payments if required. Thanks! ? http://www.comicartfans.com/galleryroom.asp?gsub=167941
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Got to make some money for what I'm eyeing at Heritage so I've actually decided to let some pieces go which I never thought I would thinking of myself as a blackhole collector. Please feel free to contact me here or on CAF if you have any questions, whether it be price negations with offers or time payments. Personal checks, PayPal, Cashier's checks, are all fine. (NOTE: I will not do friends and family for PayPal) Shipping is $25.00 with USPS signature confirmation unless otherwise stated with the difference being refunded if it cost less. Those outside the continental US please PM first for an estimate. Buy it nows with posted in the thread trumps any ongoing negotiations via PMs. Payment is expected within 7 days after the deal is made unless otherwise arrangements have been made. I will not sell to those on the HOS or probation lists. Thank you! And please feel free to PM me with any questions you might have. http://www.comicartfans.com/galleryroom.asp?gsub=190160 Asking- Joe Kubert GI Combat #276 Cover- $4350 Jack Kirby Kamandi #33 pg.7- $2500 George Perez New Teen Titans #20 pg.7- $1150 Alan Davis 2000AD #585 Double Title Splash- $950 (Will cost more to ship) Dave Stevens The Savage and Doc Savage cover prelims- $650 George Evans Super-Villain Team-Up #3 pg.26- $550
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Post the NYC Art show.... Somebody has to need money for the Heritage (or Comiclink) auctions that are heading our way. Looking for the RIGHT page Let me know Mess3499 at yahoo dot com thx -
I'm guessing here but this looks like the usual lightbox on vellu job by Theakston, no direct Kirby on this and his pencils would be separate on something else. https://auction.catawiki.com/kavels/18440899-jack-kirby-s-fourth-world-jack-kirby-and-greg-theakston-2-x-signed?amc=inc.Catawiki.295145.307626.59848&utm_content=295145&utm_medium=affiliate&utm_source=pn Anybody know for sure?
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Hey folks, Just updated my "For Sale" gallery on CAF. Items now for sale include the following: - a BWS Conan cover (only available until May 31 - see description for details) - a Jack Kirby Avengers #5 page - Greg Horn's best-ever cover - another Jose Gonzalez Vampirella frontispiece and complete story - a published Enric Vampirella cover - a John Byrne Iron Fist #15 page - a Paul Gulacy-inked Daredevil #108 page - a David Mazzucchelli Daredevil #226 page and more! Any of this art can be brought to the NY Comic Expo show on May 6, where I will be sharing a table. Also, if you have any requests for things to bring to the show, please let me know! While most of my collection remains "Never For Sale", I am looking to balance the books after making a number of purchases privately over the past 4-5 months and there are some pieces which I would consider letting go at this time for a full price (please make inquiries directly to me on an individual case-by-case basis; there is no master list that I will send out). Regards, Gene- 6 replies
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Hi there. Please bear with me – I’m new to this board. But I’m moving and have decided to sell a significant part of my collection, so I found this board while researching good places to sell. Historically, I haven’t had too many books graded, but have sent in a few over the years, so I wanted to post them somewhere popular with CGC collectors. So here’s my first offering. It’s probably my best golden age book – a very nice copy of a fun issue. Hate to part with it, but need to cut down on all my ’stuff’ a bit. World’s Finest #7 (1942) 7.0 Scans below (Sorry the pictures aren't better - hard to get a good one without lots of reflection!). Please let me know if you have any questions. --------- Great Snapshot of Golden Age History Classic Jack Burnley WWII cover - featuring Superman, Batman, & Robin Characters featured include: Superman Batman Robin Zatara Sandman Star-Spangled Kid Green Arrow Speedy And check out the writers and artists who ALL worked on this book: Jerry Siegel Gardner Fox Joe Simon Jack Kirby Bill Finger Bob Kane Jerry Robinson It’s a who’s who in the history of comics. Fun book! ———— Details: Very nice, clean case – no notable scratches or cracks or anything. Price: $1,250 + Free Shipping Payment via Paypal - or 3% discount for Check or Money Order Returns: No Returns on CGC books (that’s the whole point of CGC, no?) And I don’t really know exactly what a HOSer or Probie is yet, but I guess I reserve the right to pass on offers from folks who seem to be on this site’s naughty list… (that’s my best guess so far anyway?). Hope this book finds a good home!!
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This is my first sales thread on the board. I've bought from tons of people on here but never bothered with a kudos thread since I never had plans to sell anything on here. I just pickd up some pretty big books, for me at least, and I'm trying to lighten the burden on the wallet. Should be approximately 40 slabs. Mostly Marvel with a few DC. Lots of cool Kirby stuff, and a few books I've upgraded. Slabs are too big for my scanner; so these are phone pics. Let me know if you need better pictures. Rules: First unconditional by post in thread or PM wins and first timestamp wins. Unconditional "I'll take it" trumps negotiations and "pending pics/scans" Payment due within 3 days. Paypal only. No returns on slabs unless case is damaged in shipping. I will split return shipping costs with buyer. No HOS or Probation list members.Please do not edit posts. Shipping to US only right now. Slabs will be shipped USPS priority at $10 for the first and $2 for each additional slab. Start with this for now as it's past midnight the rest will be up tomorrow SANDMAN #1 CGC 9.4 FIRST BRONZE SANDMAN, LAST KIRBY & SIMON COLLAB $100
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Hey all, I have one piece ending on Friday at Heritage Auctions. This is a twice up Tales of Suspense #77 page 8 with breakdowns by Kirby and finished pencils by Romita. This was done only a few months before went he on to draw ASM 39! This small story featured the 1st appearance of Peggy Carter. Even though not on the page, Cap is out battling the Nazis while looking for her. Just a great classic Kirby Cap vs Nazi battle page rendered in massive twice up size! Thanks for looking! https://comics.ha.com/itm/original-comic-art/jack-kirby-john-romita-sr-and-frank-giacoia-as-frank-ray-tales-of-suspense-77-story-page-8-captain-america-or/a/7169-93130.s?ic4=GalleryView-ShortDescription-071515 RickyB
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Hi all, If you were waiting for the perfect representative sample of this mythical strip, this is it! http://www.comicartfans.com/gallerypiece.asp?piece=771495 Click on the image for a jumbo scan. The three panels show: –Sky Masters in space suit floating inside of the ship. –Supporting cast. –Typical spatial landscape beautifully rendered by Wood. Price: $1,495. Free shipping! Contact me to: ferrandelgado at gmail.com -
For sale: A sweet 1978 drawn page of storyboards from the hand of Jack "King" Kirby features the Fantastic Four (minus the Human Torch who was not used for the cartoon due to contractual complications) fighting along side Magneto! Yep... siding with Magneto, helping him rob a bank! Complete with margin notes. From DePatie-Freleng studios, 1978. An affordable way to own a piece a Kirby original pencil! $1200 shipped within the US. International buyers Ok, must be willing to pay shipping. Paypal preferred. See item in my CAF gallery: http://www.comicartfans.com/gallerypiece.asp?piece=1165678 -
Usual rules apply: trumps everything but PM offers and group deals are welcome. Shipping in the U.S, is included HOWEVER if the sale is under $50, I ask for $5 to cover costs and I will work out a fair deal for anything outside the country. PayPal preferred. Satisfaction guaranteed. See my Kudos below and on eBay I am top rated as mshadow1023 ALSO AVAILABLE: Full runs of the rest of these titles (FLY/FLY MAN, JAGUAR) plus MIGHTY CRUSADERS/COMICS, etc. If you need to fill in gaps in your collection, , let me know. ADVENTURES OF THE FLY #1 1959 - Complete, covers attached. Sharp corners & bright colors. Little/no spine stress. Slight shading on top interior page edges -not near art. Pages W/OW. VF/FINE OPG FINE = $150 Recent GPA was $160 for a 6.0. ASKING $100 http://imgs.inkfrog.com/pix/mikeradio/Fly1.jpg http://imgs.inkfrog.com/pix/mikeradio/Fly1a.jpg ADVENTURES OF THE FLY #2 1959 - Complete, covers attached. Chip out at top left & bottom right corners. Some spine wear. Pages OW. VG OPG VG = $52 ASKING $28 http://imgs.inkfrog.com/pix/mikeradio/Fly2.jpg http://imgs.inkfrog.com/pix/mikeradio/Fly2a.jpg ADVENTURES OF THE FLY #3 1959 - Complete, covers attached. Chip out at top left corner. Chip out at covered. Colors bright. Pages W/OW VG. OPG VG = $43 ASKING $28 http://imgs.inkfrog.com/pix/mikeradio/Fly3.jpg http://imgs.inkfrog.com/pix/mikeradio/Fly3a.jpg ADVENTURES OF THE FLY #4 1960 - Complete, covers attached. Sharp corners & bright colors. Little/no spine stress. Pages W/OW VF OPG VG = $97 NEAL ADAMS ART ASKING $55 http://imgs.inkfrog.com/pix/mikeradio/Fly4.jpg http://imgs.inkfrog.com/pix/mikeradio/Fly4a.jpg ADVENTURES OF THE FLY #5 1960 - Complete, covers attached.TINY chip out on bottom cover edge. Minor spine stress. 1/5” tear on back cover edge & tiny ink mark at bottom. Pages W/OW. VG/FINE OPG VG = $20 ASKING $10 http://imgs.inkfrog.com/pix/mikeradio/Fly5.jpg http://imgs.inkfrog.com/pix/mikeradio/Fly5a.jpg ADVENTURES OF THE FLY #6 1960 - Complete, covers attached. Tiny chip out on cover edge,. Date mark & tiny ink mark on cover. Pages W/OW. VG/FINE OPG VG = $20 ASKING $10 http://imgs.inkfrog.com/pix/mikeradio/Fly6.jpg http://imgs.inkfrog.com/pix/mikeradio/Fly6a.jpg ADVENTURES OF THE FLY #7 1960 - Complete, covers attached. Some cover & edge wear 1/5” tear on back cover. Pages W/OW VG. OPG VG = $22 BLACK HOOD APP ASKING $10 http://imgs.inkfrog.com/pix/mikeradio/Fly7.jpg http://imgs.inkfrog.com/pix/mikeradio/Fly7a.jpg ADVENTURES OF THE FLY #8 1960 - Complete, covers attached. Ink mark at cover bottom. Some spine wear. Sharp corners. Pages W/OW VGF/FINE OPG VG = $22 ASKING $10 http://imgs.inkfrog.com/pix/mikeradio/Fly8.jpg http://imgs.inkfrog.com/pix/mikeradio/Fly8a.jpg ADVENTURES OF THE FLY #9 1960 - Complete, covers attached. Sharp corners & bright colors. Tiny fold at lower left corner on back cover. pages W/OW. VF/FINE OPG FINE = $30 ASKING $15 http://imgs.inkfrog.com/pix/mikeradio/Fly9.jpg http://imgs.inkfrog.com/pix/mikeradio/Fly9a.jpg ADVENTURES OF THE FLY #10 1960 - Complete, covers attached. Bright colors. VERY sight spine stress. 1/5” tear on back cover edge. Pages W/OW FINE/VF OPG FINE = $30 ASKING $20 http://imgs.inkfrog.com/pix/mikeradio/Fly10.jpg http://imgs.inkfrog.com/pix/mikeradio/Fly10a.jpg DOUBLE LIFE OF PVT STRONG #1 1959 - Coverless, otherwise complete, Small marker stain on splash. Pages OW & SUPPLE. OPG GOOD = $30 ASKING $10 http://imgs.inkfrog.com/pix/mikeradio/PvtStrong1.jpg DOUBLE LIFE OF PVT STRONG #2 1959 - Complete, covers attached. Sharp corners & bright colors. Tint chip out at top left corner. Slight spine stress. Pages W/OW. FINE OPG FINE = $54 ASKING $27 http://imgs.inkfrog.com/pix/mikeradio/PvtStrong2.jpg http://imgs.inkfrog.com/pix/mikeradio/PvtStrong2a.jpg ADVENTURES OF THE JAGUAR #1 1961 - Complete, covers attached. Some cover wear & creasing. Chip out at lower left corner. Slight stain under logo. Pages W/OW. G/VG OPG GOOD = $20 ASKING $10 http://imgs.inkfrog.com/pix/mikeradio/Jag1.jpg http://imgs.inkfrog.com/pix/mikeradio/Jag1a.jpg ADVENTURES OF THE JAGUAR #2 1961 - Complete, covers attached. Edge wear on cover. Some spine wear/stress. Scuff at lower right corner. 1/5” tear on edge of back cover. Pages W/OW. VG OPG VG = $20 ASKING $10 http://imgs.inkfrog.com/pix/mikeradio/Jag2.jpg http://imgs.inkfrog.com/pix/mikeradio/Jag2a.jpg ADVENTURES OF THE JAGUAR #3 1961 - Complete, covers attached. Printer crease at lower right area, Minor edge wear & spine stress. Date mark on back cover. Pages W/OW FINE/VG . OPG VG = $20 ASKING $10 http://imgs.inkfrog.com/pix/mikeradio/Jag3.jpg http://imgs.inkfrog.com/pix/mikeradio/Jag3a.jpg ADVENTURES OF THE JAGUAR #4 1962 - Complete, covers attached. Dates mark on cover. Very minor spine stress. Slight chipping at cover bottom. Pages W/OW FINE OPG FINE = $24 ASKING $20 http://imgs.inkfrog.com/pix/mikeradio/Jag4.jpg http://imgs.inkfrog.com/pix/mikeradio/Jag4a.jpg ADVENTURES OF THE JAGUAR #5 1962 - Complete, covers attached. Slight spine wear. Some soiling on back cover. Pages OW. FINE/VG OPG VG = $16 ASKING $10 http://imgs.inkfrog.com/pix/mikeradio/Jag5.jpg http://imgs.inkfrog.com/pix/mikeradio/Jag5a.jpg -
SNEAK PEEK AT IDW'S KIRBY FF ARTIST'S EDITION Happy Friday! Apologies for the somewhat OT subject - but it is a book featuring scans of OA, so .... Had the pleasure of talking with Scott Dunbier about the upcoming Twice Up Kirby Fantastic Four Artist's Edition for SYFYWire ... and got an advance look at some of the great pages in the book. That FF #65 pg 1 Splash -- YOWZA! Anyway, hope you all enjoy.. Mike http://www.blastr.com/2017-5-19/idw-artist-edition-jack-kirby-fantastic-four
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I just listed 4 auctions for some awesome bronze age books in great condition. Spectacular Spider-Man 4,5&6 Ms. Marvel 5&6 Captain America and Falcon - Jack Kirby writing and art Captain America and Falcon 177-180 -
There is a lot of talk about there about there growing popularity of Bronze Age titles, so I pulled a few runs from my collection to see if anyone is interested. I tried to price them fairly, but if you have a counter offer, I’m listening. Usual rules apply: trumps everything but PM offers are welcome. Shipping in the U.S, is included HOWEVER if the sale is under $50, I ask for $5 to cover costs and I will work out a fair deal for anything outside the country. PayPal preferred. Satisfaction guaranteed. See my Kudos below and on eBay I am top rated as mshadow1023 AMETHYST 1983 #1 to 12 + 1984 SPECIAL Full Run - Complete, covers attached. Sharp corners & bright colors. White pages. All VF or better. ASKING $20 http://imgs.inkfrog.com/pix/mikeradio/Ameth1.jpg http://imgs.inkfrog.com/pix/mikeradio/Ameth1a.jpg http://imgs.inkfrog.com/pix/mikeradio/AmethSpec1.jpg http://imgs.inkfrog.com/pix/mikeradio/AmethSpec1a.jpg 1st ISSUE SPECIAL 1975 #1 to 13 Full Run - Complete, covers attached. Sharp corners & bright colors. W/OW pages. All VF or better EXCEPT: #1 Tiny microscopic tears at bottom edge of back cover #2 Soft crease at top left corner of back cover #6 Soft crease at top right of cover #1, 4 & 5 Kirby Art, #7 Ditko Art, #9 Simonson Art & #8 1st Warlord ASKING $80 http://imgs.inkfrog.com/pix/mikeradio/1stIssue9.jpg http://imgs.inkfrog.com/pix/mikeradio/1stIssue9a.jpg http://imgs.inkfrog.com/pix/mikeradio/1stIssue8.jpg http://imgs.inkfrog.com/pix/mikeradio/1stIssue8a.jpg http://imgs.inkfrog.com/pix/mikeradio/1stIssue1.jpg http://imgs.inkfrog.com/pix/mikeradio/1stIssue1a.jpg KARATE KID 1975 #1 to 15 Full Run - Complete, covers attached. Sharp corners & bright colors. White pages. All VF or better EXCEPT #15 Tiny soft crease at lower right corner. ASKING $45 http://imgs.inkfrog.com/pix/mikeradio/KarateK1.jpg http://imgs.inkfrog.com/pix/mikeradio/KarateK1a.jpg KOBRA 1976 #1 to 7 Full Run - Complete, covers attached. Sharp corners & bright colors. White pages. All VF or better. ASKING $30 http://imgs.inkfrog.com/pix/mikeradio/Kobra1.jpg http://imgs.inkfrog.com/pix/mikeradio/Kobra1a.jpg MAN BAT 1976 #1 to 2 Full Run - Complete, covers attached. Sharp corners & bright colors. White pages. All VF or better. Ditko Art in #1 ASKING $20 http://imgs.inkfrog.com/pix/mikeradio/ManBat1.jpg http://imgs.inkfrog.com/pix/mikeradio/ManBat1a.jpg NIGHT FORCE 1982 #1 to 14 Full Run - Complete, covers attached. Sharp corners & bright colors. White pages. All VF or better. ASKING $25 http://imgs.inkfrog.com/pix/mikeradio/NForce1.jpg http://imgs.inkfrog.com/pix/mikeradio/NForce1a.jpg RICHARD DRAGON KUNG FU FIGHTER #1 to 18 Full Run - Complete, covers attached. Sharp corners & bright colors. White pages. All VF or better. ASKING $60 http://imgs.inkfrog.com/pix/mikeradio/KungFuFigh1.jpg http://imgs.inkfrog.com/pix/mikeradio/KungFuFigh1a.jpg SECRET SOCIETY OF SUPER VILLAINS 1976 #1 to 15 + SPECIAL #1 Full Run - Complete, covers attached. Sharp corners & bright colors. White pages. All VF or better. ASKING $70 http://imgs.inkfrog.com/pix/mikeradio/SecSoc1.jpg http://imgs.inkfrog.com/pix/mikeradio/SecSoc1a.jpg http://imgs.inkfrog.com/pix/mikeradio/SecSocSpec1.jpg http://imgs.inkfrog.com/pix/mikeradio/SecSocSpec1a.jpg STALKER 1975 #1 to 4 Full Run - Complete, covers attached. Sharp corners & bright colors. White pages. All VF or better EXCEPT #1 has tiny soft crease at lower left corner on back cover. Ditko & Wood Art in all. ASKING $45 http://imgs.inkfrog.com/pix/mikeradio/Stalker1.jpg http://imgs.inkfrog.com/pix/mikeradio/Stalker1a.jpg STAR HUNTERS 1977 #1 to 7 Full Run - Complete, covers attached. Sharp corners & bright colors. Where pages. All VF or better. Don Newton Art. ASKING $30 http://imgs.inkfrog.com/pix/mikeradio/SHunters1.jpg http://imgs.inkfrog.com/pix/mikeradio/SHunters1a.jpg STEEL THE INDESTRUCTIBLE MAN 1978 #1 to 5 Full Run - Complete, covers attached. Sharp corners & bright colors. White pages. All VF or better. ASKING $40 http://imgs.inkfrog.com/pix/mikeradio/Steel1.jpg http://imgs.inkfrog.com/pix/mikeradio/Steel1a.jpg STRANGE SPORTS STORIES 1973 #1 to 6 Full Run - Complete, covers attached. Sharp corners & bright colors. W/OW pages. All VF or better. ASKING $20 http://imgs.inkfrog.com/pix/mikeradio/SSports1.jpg http://imgs.inkfrog.com/pix/mikeradio/SSports1a.jpg TOR 1975 #1 to 6 Full Run - Complete, covers attached. Sharp corners & bright colors. White pages. All VF or better. All Kubert Art ASKING $30 http://imgs.inkfrog.com/pix/mikeradio/Tor1.jpg http://imgs.inkfrog.com/pix/mikeradio/Tor1a.jpg
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Hi All, I was at San Diego last week and audio recorded 24 panels with a focus on comic history. You can hear them all at my website. The panels are: Jack Kirby's Consciousness, Roger Zelanzny's Lord or Light, Barry Ira Geller and the Real Argo (48:05, 45.1mb) On the panel was Barry Ira Geller and Mike Royer. Barry talked about Kirby's and Royer's involvement in the Lord of Light project. Barry announced that Lord of Light is being produced as a television series. Barry said 80% of the movie Argo was not true. They played 2 clips from CIA Agent Mendez regarding the Argo plan that Barry said was true. Barry mentioned he talked to the son's of the Iranian revolution and they told him that Jack's artwork made them believe the Hollywood production was real. Royer said he could tell that the Lord of Light was special to Kirby by the work he put into the drawings. They talked about specific pieces of art and plugged a kickstarter to make 3D versions of the Lord of Light figures. Mike Royer Spotlight (46:05, 43.2mb) Moderated by Mark Evanier. Mike revealed how he got started in comics, his working on the Marvel animated cartoons particularly Marvel Superheroes and the 1966 Spider-Man. Mark and Mike talked about editor Chase Craig and how important he was to furthering their careers. Royer gave his views on inking other people's work, Mike's work for Jim Warren and his views on Jim. Royer spoke about his meeting Jack Kirby for the first time and the circumstances on inking his work, how Royer also lettered Jack's work and it was delivered to DC camera ready which was new for DC's production dept who previously always "fixed up" artists work to give it the DC touch. Royer then discussed why he took a hiatus from inking Kirby's work and how Kirby reacted, Royer spoke about working on staff for Disney, what work he was proud of and Jack not wanting his faces changed. Paul Levitz in Conversation with Karen Berger (48:41, 45.7mb) Karen started off talking about Paul hiring her, she then interviewed Paul about his being a writer and a businessman. Paul discussed getting started working for DC and writing comics. He also spoke about balancing being a creative writer vs business man and the conflict that brings, having to go to meetings with upper level executives in his early 20s where everybody else was much older and richer than he was. Paul gave advice on editing creative people, who his writing influences were, his work now for Dark Horse Comics. Karen talked about doing books that made Paul uncomfortable and Paul giving her a lot of rope. Paul discussed the comics sales transitioning from the newsstand to the Direct Market and how that affected the writing. Karen revealed how she finally got approval to print the word "" in a DC comic, the creation of Vertigo and why. They spoke about finding a Graphic Novel format that worked in the marketplace. Finally, Paul revealed what his is most proud of in his career thus far. Editing Comics (51:24, 48.2mb) Moderated by Chris Butcher, on the panel were editors Shannon Watters, Mark Siegel, Cassandra Pelham and Robin Herrera. They started by introducing themselves and answering Chris's question: Do editors talk to each other? Robin then spoke about her editing style on different books, the groups discussed different types of editing and how not all editors are good at all aspects of editing, they said if they still like reading comics for pleasure. Cassandra talked about how she edits different creators differently. Mark spoke about being more transparent about his job, the pitch process and what does and does not matter. The group discussed using the thumbnail for editing, using Skype for communicating with creators, catching problems early to avoid costly corrections later, the mental fatigue of doing a graphic novel and how to combat it. Shannon revealed how certain books of hers came about and how to manage the collaborative process. The group then discussed if they are on the creators side or the publishers side. Why Will Eisner Still Matters at 100 (58:30, 54.9mb) On the panel was Paul Levitz, Jackie Estrada, Maggie Thompson and Paul Dini. They first discussed why Will is not just important, but still relevant. Will owning his work and expanding the readership of comics into the bookstore market. Will as a person, how he adapted over the years and his communicating through images. Will as a teacher, role model, how he made changes to the Eisner Awards, his ability to tell short stories, the line between art and craft and how Will balanced and transcended them. They also discussed his treatment of fans, the human reaction in his stories, the cinematic method of telling his stories, exposing people to Will's work and Ebony. The Forgotten Trio: Letterers, Inkers and Colorists (42:21, 37.7 mb) Panelists include Dave Lanphear, Le Beau Underwood, Kelly Fitzpatrick, Veronica Gandini and moderator Jessica Tsang. They started out with what they are currently working on, do they feel they are getting enough credit, where the industry falls short in crediting them. They then went into their specific fields and discussed how to be a successful inker, the difference between good and bad lettering and how it affects a story, colour vs. black and white comics, what a flat is, how the colourists chooses the colour types, grayscale colouring, how they choose a colour palette and they gave career advice for people breaking in. Publishers Weekly: Selling Comics to Diverse Audiences (51:11, 48mb) On the panel was Calvin Reed, Christopher Butcher, Terence Irvins, Jennifer Haines and Kristen Parraz. They started with an introduction and what diversity means to each of them. Is diverse material available and where is the demand coming from, distribution issues in regards to retailers getting diverse books, diversity of reading material and formats, why Marvel is not selling well and is it because of diversity and different types of retail stores. Graphic Novel Creator Richard Kyle's Legacy (44:06, 41.4mb) A collection of Richard's friends and colleagues gather to discuss the recently departed Richard Kyle. They were David G. Brown, Maggie Thompson, Greg Koudoulian, Mike Royer, Phil Yeh, Ron Turner and Jamie Coville. The group, including audience members who knew Richard spoke about his intelligence, kindness, his bookstore, his strong opinions, creating of the term Graphic Novel and more. An audio clip was played from his interview with me and the panel told some stories about Harlan Ellison as well. Comics Arts Conference #5: Lassoing the Truth: Marston vs Wertham in the Wonder Woman War (53:41, 50.3mb) After a brief introduction by Kate McClancy, the panel moderated by Travis Langley consisted of Christie Marston, Phil Jimenez, Alan Kistler, Trina Robbins, Dr. Mara Wood, Mike Madrid, Danny Fingeroth and Andy Mangels. They started out describing the differences between the Martson's and Wertham's disciplines. They cleared up what Marston did and did not invent in terms of the Lie Detector Test and its impact on the court system. The group discussed the mythological aspects of Wonder Woman's origins, Harry G. Peter, Marston's book The Emotions of Normal People, what Marston was saying about bondage, Wertham's view of Wonder Woman as a lesbian Batman, The Comics Code effect on Wonder Woman comics, Wertham's psychoanalysis on Pop Culture, Jill Lepore's book on Wonder Woman and the problems with it. Keith Pollard Spotlight (46:45, 43.8mb) Mark Waid interviews Keith Pollard. Keith talks about becoming a comic book artist, his time in highschool and getting into college. He reveals his jobs prior to comics, meeting Jim Steranko and Neal Adams and getting their critique, his friendship and collaboration with Arvell Jones, working with Rich Buckler, his first solo Marvel work, inking, his influences, moving from Marvel to DC, how Jim Shooter helped him out of a jam, working with Roy Thomas on Thor and working on Master of Kung Fu. [Note: I came in a few minutes late for the panel] Will Eisner: Mentor and Friend (45:23, 42.6mb) Denis Kitcken was joined by Danny Fingeroth. Denis started talking about his first meeting Will Eisner. He then spoke about Will's early work. They both spoke about how water was a theme in Will's work and how Harvey Kurtzman came up with a term for it. They discussed Will's work for the Army, his educational and commercial work, his contributions to the underground, A Contract with God, the term Graphic Novel, his autobiographical books The Dreamer and The Heart of the Storm, how Will planned the pages and not using standard layouts. Danny questioned why Eisner and Kitchen connected despite their differences, Will's reaction to the first underground comic he saw. They also discussed Will's relationship with Jack Kirby & Harvey Kurtzman and that Stan Lee once offered Will the job of EIC of Marvel. Jack Kirby: Family and Friends (48:48, 45.7mb) The panel consisted of Jillian, Lisa, Tracy and Jeremy Kirby, Mike Thibodeaux and moderator Mark Evanier. Mark started out with a funny story about Jack being physically strong and cleaning out the stables for Lisa's horse. Lisa told a story about Jack going to her school and doing drawings for her classmates, which helped her make friends. Granddaughter Jillian talked about how people around her react when they find out who her grandfather was. All the family members told when they realized that Jack Kirby was special. Mike spoke about meeting, hanging out with Jack and loving his work. They told stories about introducing Jack to other people and their reaction. Jillian spoke about her Kirby 4 Heroes campaign that she runs to raise money for the Hero Initiative. Jeremy talked about how fans react to them because they are related to Jack. The panelists spoke about Jack's warmth in dealing with his fans. Lisa told a funny story about a cult coming to the door and wanting Jack to sell all his possessions and move out to the desert with them. They talked about the D23 convention where Jack was honored as a Disney Legend. David Glanzer, Director of Marketing and Public Relations of Comic-Con International then announced that San Diego is giving Jack Kirby their Icon Award, something they give to 1 person per year and only give it to people who are alive. Jack is the first person they have given it to posthumously. Ron Wilson Spotlight (44:33, 41.8mb) Mark Waid interviewed Ron Wilson. Among the topics discussed were: How he was first exposed to comics, drawing on newspapers, how being an artist helped him, his schooling, his influences, breaking in, what he learned from John Romita Sr, his favourite inker, meeting Jack Kirby, how he got the job for Luke Cage, Marvel 2 in 1, working with John Byrne, his boxing matches with Jim Shooter, his work on He-Man and Pro Wrestling comics, his work on Superboxers and Kyle Baker inking his work. Manga Superheroes: Super Differences Between Japan and US (56:25, 52.9mb) Moderated by Deb Aoki, the panelists were Brigid Alverson, David Brothers, Chris Butcher, Carl Horn and Andy Nakatani. The group went through how Manga and US creators were influenced by each other in major ways, starting with Osama Tezuka being influenced by Disney. Other examples were Lone Wolf and Cub influencing Frank Miller, Cyborg 009 & X-men and more. Chris talked about the cultural exchange that happens between French, USA and Japanese creators. The group talked about Ultra-man, Magical Girl Manga (Sailor Moon in particular), One Punch Man, the weird stuff that Japan does with their superheroes that's different and ended by talking about My Hero Academia. Mike Grell Spotlight (45:48, 42.9mb) Mike Grell was interviewed by Derek Maki. They started by announcing that Mike had been inducted to the Wizard World Hall of Fame. What he did before becoming a comics artist, what comics he read as a child, advice he would give to those just starting out. Grell told a story about a brutal deadline and working so long without sleep he saw hallucinations while driving. He told stories about crazy jobs, what he finds easy and hard to draw, being on safari in Africa, having to pee and draw at the same time, he revealed an Easter egg in an issue of Warlord, what underwear he wears, what he wants to be remembered for. They did a trivia contest at the end. You can find out more about Mike Grell at his website. Spotlight on Brigitte Findakly and Lewis Trondheim (51:20, 48.1mb) Karen Green interviewed Brigitte and Lewis, often through the use of a translator Julia Pohl-Miranda. They talked about their book Poppies for Iraq. Karen asked why are we seeing women telling their stories regarding leaving the Middle East instead of men? They spoke about the printing of photographs, why they did it, which ones they chose and why they placed them where they did throughout the book. They discussed the unsettlement within the book in both the past and the present. Brigitte and Lewis talked about the government issued poisoned grain that was within the story. They then turned to when Briggitte began drawing, their collaborative process, the other books they worked on, the pacing of a joke, subtle bit of info that is important, but not highlighted and why Lewis chose to do it that way. Brigitte revealed how extreme the antisemitism was in Iraq. The danger there was in France when she first moved there, how poor kids in Iraq are expected to help clean the school but the rich kids are not, what country they now consider to be "home" and both Lewis and Brigitte wanted the audience to know that Poppies for Iraq is a happy book. Joe Staton Spotlight (47:49, 44.8mb) Paul Levitz interviews Joe about his career. Joe revealed that his bought some early Marvel age comics off the stands as a kid. He talked about starting at Charlton, E-Man and why he was created, working with Gill Kane on Spider-Man, inking Sal Buscema and then Herb Trimpe. Paul revealed that he hired Joe to work at DC and what for. They then went through the books he worked on at DC, JSA, the creation of Huntress, doing Marvel books, working with Brian Bolland, children comics regarding various diseases and drawing Tracy. He also revealed he co-created Kilowog and said he was now working on a successful kickstarter campaign to reprint Family Man, a Paradox book that was not printed very well the first time around. Spotlight on Arthur Adams and Joyce Chin (46:48, 43.9mb) The moderator was Kirk Thatcher. Both Joyce and Arthur received Inkpot Awards. They talked about a wide variety of topics, including a toy package design he did, Arthur's love of Godzilla, how they work under the same roof, splitting of domestic duties, what pushed them to become artists, Joyce talked about how her mother learned to read English via comics and read them to her, their parents reaction to wanting to be artists, Joyce talked about working on Green Lantern, they both talked about working on scripts, their influences, movie work, designing characters, Monkeyman and O'Brien, their most unusual project, the toys they surround themselves with and inking their own work. That 70s Panel (1:20:21, 75.3mb) On the panel was Keith Pollard, Marv Wolfman, Joe Staton, Ron Wilson, Elliot S! Maggin, Mike Grell, Paul Levitz and moderator Mark Evanier. Mark began by asking them what assignment did they get that made them really feel like they were a comic professional. Elliot told a story about selling a school assignment story to DC Comics, he also told stories about Curt Swan. The artists told how they felt about other people inking their work, Mike Grell told how he broke in, Paul told a funny story about Grell being unhappy with his current inker and inking his own pencils before sending in the pages, Paul also talked about push back from the 2nd generation of artists regarding certain inkers. Everyone discussed who's work they admired. Mark told a story about Jerry Siegel and the change with him over the years in regards to DC Comics. They all told a story about the worst deadline crisis they've had, Paul talked about the DC Implosion and both Paul and Marv Wolfman discussed having to let people go. John Stanley: Giving Life to Little Lulu (49:33, 46.5mb) Bill Schelly and Gary Groth talked about Bill's new book on John Stanley. The revealed what characters that Stanley created for the Little Lulu comic title, what John did before he worked in comics, they revealed why he was listed as F4 and couldn't serve in the military, they spoke about Tubby and fantasy stories, how Carl Barks and John Stanley felt about each other was discussed, the horror stories that John liked and did, the scrutiny that Stanley came under when he got a new editor and Dell Comics were using the "Dell Comics are Good Comics" pledge, Stanley being hired to create a line of titles for Dell after the split, what he did after working for Dell, Stanley's personal demons and what work he did when he couldn't do comics anymore, John's only convention appearance and interview and the commissions he did towards the end of his life. James Hudnall Spotlight (49:51, 46.7mb) James was running behind so the panel started with moderator Dr. Terry Cronin talking about his love of Eclipse Comics, which was followed by David Lloyd discussing how he came about working with James on ESPers and why he liked the book. Lloyd also spoke about John N. Burnes, who is a hero of his. When James came in Jackie Estrada gave him an Inkpot Award. James spoke about getting to work with David Lloyd, his getting work at Marvel, going from Strikeforce: Morituri to Alpha Flight, then over to DC where he wrote Luthor: The Unauthorized Biography. James discussed many of the books that James worked on over his career. Hudnall and Lloyd spoke about John Ridgway and why he loved talking on the phone so much. They also spoke about Malibu's Ultraverse and his books Hardcase and The Solution. Comics Art Conference #15: Fangirls (1:14:55, 70.2mb) Moderated by Kate McClancy, Angelica Kalika, Angela Chiarmonte and Caitln O'Shea spoke about their academic work on different aspects of fangirls. Angela talked about Ms. Marvel and David Gabriel's statement about diverse characters, why Millennials love Ms. Marvel, what elements of Ms. Marvel appeal to Millennials. Caitlin spoke about harassment of female fans, particularly in comic shops, she read some quotes from interviews she conducted from a number of female fans, comic store employees and store owners, then gave some conclusions and recommendations. Angelica spoke about Spider-Gwen and why she is successful and the community built up around her, she went into Speech Codes Theory, Millennials and Feminists, why Spider-Gwen loves the series and conclusion from her research. Comics Art Conference #16: The Culture of Comic Con: Field Studies of Fans and Marketing (50:09, 47mb) Peter Coogan started by giving an introduction to the panel. Matthew J. Smith moderated a large panel of young, mostly first time Comic Con attendee's academic students who were all studying an aspect of comic con. They were: Blythe Bull, Jesse Booker, Sarah Irby, Carlos Flores, Kristi Fleetwood, Kyle Hanners, Borin Chep, Morgan Mitchell, Conner DuRose and DeAnna Volz. They all introduced themselves, what they were studying and how they were examining it. They also spoke about how being a part of comic con affected them and possibly their work and how they might have affected comic con. Pro Vs Fan Comic Trivia (40:13, 37.7mb) The Fans were: Peter Svensson, David Oakes and Tom Galloway, The Pro's were Glenn Hauman, Elliot S! Maggin and Len Wein. The very hard questions asked by David McCaw involved Thor, Ghost Rider, Luke Cage, Demon, Black Lighting, Black Panther, The Thing, Boy Commandos, Spider-Man, Machine Man, Atlas, Captain America and more. Some members from the audience also participated in answering some questions.
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MISTER MIRACLE VOLUME ONE #1, #4, #7-18, #20 & #22 HIGH GRADE LOT OF 18 CGC GRADED COMIC BOOKS ⭐️⭐️⭐️ PRICE DROP!!! ⭐️⭐️⭐️ WAS $1450.00 NOW ONLY $1145.00 (OBO) Sale Price Includes Fully Insured, Priority Shipping w/Tracking to all 50 US States & Territories via USPS COMICS INCLUDED IN THIS LOT WITH GRADE & PAGE COLOR (HI-RES IMAGES OF EACH COMIC BELOW TEXT): JACK KIRBY'S FOURTH WORLD ISSUES #1 CGC 9.4, OW-WHITE PAGES, * KEY COMIC * 1st appearance of Mister Miracle and Oberon #4 CGC 9.0, OW PAGES, * KEY COMIC * 1st appearance of Big Barda #7 CGC 8.5, OW-WHITE PAGES #8 CGC 9.6, WHITE PAGES #9 CGC 9.6, WHITE PAGES #10 CGC 9.4, WHITE PAGES #11 CGC 9.4, OW-WHITE PAGES #12 CGC 9.4, WHITE PAGES #13 CGC 9.8, WHITE PAGES, * HIGHEST GRADED * #14 CGC 9.4, WHITE PAGES #15 CGC 9.4, WHITE PAGES #16 CGC 9.6, WHITE PAGES #17 CGC 9.6, OW-WHITE PAGES #18 CGC 9.4, WHITE PAGES, * KEY COMIC * Final Jack Kirby Mister Miracle issue and last issue of the series for 3 1/2 years. SERIES RELAUNCH ISSUES #20 CGC 9.6, WHITE PAGES #22 CGC 9.4, WHITE PAGES ABOUT ME: I know this is not Match.com and that people are here looking for comic books, not potential soul mates, but since this is my first post selling comics on the CGC boards, I thought folks may feel more comfortable buying from me if they knew a bit about me first. However, if you couldn't care less whether or not I am a USMC Iraq War veteran living in Baton Rouge, LA, where I manage a small production company incorporated in 2012, who is also a well established seller on eBay with 100% positive feedback, or a Nigerian prince who not only wants to sell you an amazing Bronze Age comic book lot, but also trusts that you are a distinguished individual of high character who can be trusted with his personal fortune in excess of $40,000,000 USD of which you may keep 5% if you will just send 1% of that amount via bank wire first to establish that the $40,000,000 is sent to a verifiable, legitimate checking account per Sec. 455.H0L3 of African Continental banking regulations, then skip this section and read the next one that is all about how to pay me. For everyone else, rest assured that I am definitely not a Nigerian prince who sends out phishing emails. ? My name is Sean Huze and I am a USMC infantryman (2001-2005), an Iraq War veteran, and a small business owner living in Baton Rouge, LA, with my wife, son, and daughter. Incidentally, my wife and I vehemently disagreed on what to name the latter. We both felt so strongly about our very different choices that compromise was impossible. So we did what any two, mature, rational adults would do in our situation: conflict resolution via a single round of "Rock, Paper, Scissors." She lost and my daughter’s name is Daenerys after the character from George R.R. Martin's A Song of Ice & Fire series. ?? Lastly, I am a CGC authorized dealer since 2015 with an excellent track record selling comic books, trading cards, action figures, and other collectibles on eBay over the past several years.* * Yes, I am well aware that one could make a strong argument that the final sentence of the preceding paragraph is not only the most important information about me that a potential buyer needs to know, but it is also the only relevant information to a potential buyer in the entire paragraph. PAYMENT OPTIONS: Payment via PayPal (business account) is due upon receipt of the invoice. The invoice will list each comic included in this lot individually along with its grade and CGC certification #. I can also accept MasterCard or Visa credit/debit cards (over the phone, not online), but there is an additional 3% transaction fee added to your total if you choose this payment option. SHIPPING: Free domestic (US states & territories) shipping via USPS Priority insured for the full purchase price. I will ship internationally via USPS Priority International to Canada, Australia, France, Germany, UK, and most EU countries, however shipping is the buyer's responsibility. I will not add for packing materials, handling, etc., though, so your shipping cost will be the exact amount USPS charges for postage and nothing more. This lot’s packaged weight is approximately 20 pounds (9 kg). Enter that weight and select USPS Priority International Mail if you would like to calculate a shipping estimate from Baton Rouge, LA, USA, 70817-3717, to your delivery address. Also include insurance for the full purchase price in order to get a more accurate shipping estimate. I will consider shipping elsewhere, but please PM me first to discuss. RETURNS/REFUNDS: Returns for damaged items or items not as described (i.e., I sent the wrong comics by mistake somehow) within 30 days and I will refund 100% of the purchase price and reimburse for the return shipping within 12-24 hours upon receipt of the package containing the returned items. I will also accept returns within 14 days of delivery, "No questions asked," however return shipping is the buyer's responsibility. MISCELLANEOUS: Please understand that if you PM me with an offer and someone else commits to my asking price by replying to this post with or via PM and I did not accept your offer already, then this lot goes to them. That said, I will respond to all reasonable offers quickly. If I accept your offer, the lot is yours at the price offered and I will update this post with "SOLD" immediately after doing so. Should someone happen to commit in the brief time between me accepting an offer and updating this post, I will notify them via PM that the lot was sold prior to their commitment. However, if I reply with a counteroffer and someone commits before you reply accepting my counteroffer, the lot is theirs. While these scenarios are unlikely, they could happen and it's best to address them upfront instead of after the fact. Thank you so much for your interest in this lot. If you have any questions, please don't hesitate to reply to this thread (others may have the same question) or you can also PM me if you prefer. I'll respond quickly either way. Warm regards, Sean Huze (aka Sandstormer)
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