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Wonder Woman official movie thread (6/23/17)
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WONDER WOMAN Reviews Confirm That "The DC Movie You've Been Waiting For Has Finally Arrived"

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ComicBookMovie

If you're of the belief that WB desperately needed to inject a bit more heart into The DCEU then Wonder Woman is the movie you've been waiting for. It's funny, engaging and action-packed, with a strong emotional core and a star-making turn from Gal Gadot. It does have some problems, but overall this bodes very well for Diana's cinematic future and, hopefully, the DCEU as a whole. Justice League, you're up!

 

The Hollywood Reporter

Yet as with all comics-based extravaganzas, brevity is anathema to the Patty Jenkins-directed Wonder Woman, and it doesn’t quite transcend the traits of franchise product as it checks off the list of action-fantasy requisites. But this origin story, with its direct and relatively uncluttered trajectory, offers a welcome change of pace from a superhero realm that’s often overloaded with interconnections and cross-references. (A nod to Wayne Enterprises in the story’s framing device serves as a fuss-free tie-in to the upcoming Justice League.)

 

Variety

It may have taken four films to get there, but the DC Extended Universe has finally produced a good old-fashioned superhero. Sure, previous entries in the Warner Bros. assembly line have given us sporadically successful, demythified takes on Batman and Superman, but they’ve all seemed skeptical, if not downright hostile, toward the sort of unabashed do-gooderism that DC Comics’ golden-age heroes exemplified. Never prone to stewing in solitude, and taking more notes from Richard Donner than from Christopher Nolan, Patty Jenkins’ “Wonder Woman” provides a welcome respite from DC’s house style of grim darkness — boisterous, earnest, sometimes sloppy, yet consistently entertaining — with star Gal Gadot proving an inspired choice for this avatar of truth, justice and the Amazonian way.

 

The Wrap

It’s a great cast overall: Gadot mixes ancient wisdom and gravitas with the delight and, yes, wonder of someone trying ice cream for the first time, and Pine takes the generally thankless role of Steve Trevor and imbues him with both a sense of duty and a sense of humor. And since Anaya starred in “The Skin I Live In,” it’s fitting she plays another character who has suffered extreme plastic surgery; the movie gives her poisons expert a stereotypical villain’s disfigurement — a facial graft that makes her look like the Phantom of the Opera — but she still manages to find a soul inside this despicable war criminal.

 

Entertainment Weekly

It’s only in the movie’s unnecessary final half-hour or so that Wonder Woman finally meets her match: the special-effects imperatives of contemporary blockbuster filmmaking against which even the Germans onscreen seem insignificant. When Diana realizes that the villain she’s been chasing all this time is, in fact, not the end but just the beginning to a line of villains to be trotted out, no doubt, in subsequent chapters, the movie turns into an eye-rolling digital smackdown that mirrors every other late-period DC (and, to be fair, Marvel) movie smackdown. It would be nice one of these days if some heroic editor just lopped off the last 30 minutes of all of these things. But it’s hard to quibble about what’s wrong with a movie that gets so much right, especially when it comes to Gadot’s revelatory portrayal of Wonder Woman. The wait is over, folks. The DC movie you’ve been waiting for has finally arrived. Grade: A-

 

Forbes

Here's the short version: Wonder Woman is good. It's, by default, the best live-action DC Comics movie since The Dark Knight. It is, by default, the best female-centric comic book superhero movie ever made and is on a different plane from Elektra, Catwoman and Supergirl (and Barb Wire and Tank Girl and Red Sonja). To those who have been waiting for this picture their entire lives, who have yearned to see Wonder Woman on the silver screen in her own movie hacking, slashing and lassoing for justice and compassion, you can take a breath and relax. Even though the finished product has some serious issues, and the final product doesn't quite measure up to that dynamite 2009 animated movie, Gal Gadot makes a spectacular superheroine. Come what may, the much-discussed DC Films has given us a dynamic and definitive big-screen variation of Wonder Woman.

 

USA Today

 

But it’s Gadot’s film and she is electric as Wonder Woman, a role she debuted in last year’s Batman v Superman: Dawn of Justice to wide acclaim. Unshackled from that film’s dreary baggage, the Israeli actress is able to shine as brightly in Wonder Woman’s smaller moments as she does when she lifts a tank with her bare hands. Her expressive face is magnetic as she witnesses the horrors of the world for the first time. Her optimism is at times heartbreaking — we, unlike Diana, know how evil the world truly is — but it is also inspiring.

“Wonder Woman” is as much about a superhero rising as it is about a world deserving of her, and Diana’s hard-won insistence on battling for humanity (no matter how frequently they disappoint) adds the kind of gravitas and emotion that establishes it as the very best film the DCEU has made yet. There’s only one word for it: wonderful. Grade: A-

 

ScreenCrush

Wonder Woman is Gadot’s film, and she owns every scene she’s in, but the film also made me appreciate the talents of Chris Pine, who’s maturing into one of the very best leading men in Hollywood but embraces the role of Gadot’s second banana. As Pine ages, his boyish charm is tempered with an edge of sadness, and a slight hardness around his eyes, a perfect combination for a man like Steve Trevor, whose experience in World War I had a profound and punishing effect on his psyche.

Although the review from The Guardian has been pointed out by a few articles as going out of its way to go negative on the film. Like this had to be part of a review?

" glass ceiling still intact as Gal Gadot reduced to weaponised Smurfette"

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The Guardian

Those hoping a shot of estrogen would generate a new kind of comic-book movie – and revive DC’s faltering movie universe – might need to lower their expectations. Like many people out there, I had no shortage of excitement and goodwill towards this female-led superhero project, but in the event it’s plagued by the same problems that dragged down previous visits to the DC movie world: over-earnestness, bludgeoning special effects, and a messy, often wildly implausible plot. What promised to be a glass-ceiling-smashing blockbuster actually looks more like a future camp classic. Rating: 2 stars out of 5.

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Wonder Woman Director Was Nervous About World War I Setting

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Though Snyder and DC Films mastermind Geoff Johns had their hands in the story, it was screenwriter Allan Heinberg (who has also written a few Wonder Woman comics) who changed this significant portion of the character’s journey from being the Princess of Themyscira to becoming Wonder Woman.

 

The Wonder Woman character’s debut is rooted in World War II, but Heinberg decided to set the film even further in the past during the first Great War.

 

“We are in a very WWI world today with nationalism and how it would take very little to start a global conflict,” Heinberg said to Entertainment Weekly. “[World War I was] the first time we had an automated war … The machine gun was a new invention. Gas was used for the first time. New horrors were unleashed every day.”

 

But Jenkins was a little wary about altering creator William Moulton Marston’s own origin for the character. “At first, I questioned it because it wasn’t her actual origin story, but very quickly I saw the genius behind it,” she said.

 

“World War I is the first time that civilization as we know it was finding its roots, but it’s not something that we really know the history of,” Jenkins said. “Even the way that it was unclear who was in the right of WWI is a really interesting parallel to this time. Then you take a god with a moral compass and a moral belief system, and you drop them into this world, there are questions about women’s rights, about a mechanized war where you don’t see who you are killing. It’s such a cool time.”

 

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USA TODAY MOVIE REVIEW: ‘Wonder Woman’ is the fresh, hopeful superhero movie we need

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Diana Prince, we’ve been waiting for you.

 

Wonder Woman (***½ out of four; rated PG-13; in theaters nationwide Thursday night) is a departure from most superhero films you’ve seen. It's a female superhero film — which is revolutionary enough by itself — but it's also a genuinely surprising film that plays with genre and throws out the now very tired superhero movie formula. It’s an action film, a romantic comedy and a coming-of-age story and a period piece and a war movie all in one. Above all, it’s a hopeful story about humanity.

 

Wonder Woman is the best movie Marvel rival DC Comics has put out in its own cinematic universe, and unlike the recent parade of bleak superhero tales from both studios, it makes you feel good while you watch it.

 

Diana is genuine in her love for ice cream. She and the film are genuine about everything, which is what makes it feel so special. In a time when the public discourse is fraught and full of misinformation and hatred, watching Wonder Woman fight so hard and so earnestly for love is a profound experience.

 

It’s hard not to feel, well, wonderful.

 

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6 minutes ago, kagenish said:

right now the movie is holding high on Rotten Tomatoes

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And when you read the critic reviews, they seem to really like the positive message while also being unique with a female-led superhero film. Even some repeat comments about 'one of the best superhero movies' as part of the reviews.

Edited by Bosco685
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