X-Men's BEAST film that never moved forward
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John Ottman, whose credits include 'X2' and 'Days of Future Past,' details the pitch for a Hank McCoy spinoff and why Fox and filmmaker Simon Kinberg declined to read it.

 

X-Men: Fear The Beast working -script link

 

What if Beast had his own spinoff movie?

 

That was the question facing longtime X-Men editor and composer John Ottman as he was finishing 2016's X-Men: Apocalypse. His then-assistant, aspiring screenwriter Byron Burton, came to him with the idea, and Ottman was skeptical that Beast, the bookish, blue-furred X-Man played by Nicholas Hoult could carry his own movie.

 

But when Burton said he could crank out a -script in two weeks, the composer consented to let him try. Why not? If it was good, maybe he'd pass it along to the execs at Fox.

 

"I said, 'Knock yourself out, but just know there's a 95 percent chance no one is ever going to make this,'" Ottman tells The Hollywood Reporter.

 

After reading Burton's draft, Ottman was surprised to find himself believing a Beast movie could actually work. He came aboard to develop the project, making tweaks to the -script and envisioning it as a $90 million-budgeted spinoff that would also feature familiar characters such as Prof. X and Wolverine — as well as a Danger Room sequence featuring the hate group Friends of Humanity.

 

The late '80s-set -script (read it here) begins in an snow-covered Inuit village that's being stalked by a mysterious creature.

 

"We wanted to have the tenor of John Carpenter's The Thing where you are in this inhospitable environment," says Ottman.

 

The -script then cuts to Hank McCoy, who is living in the X-Mansion and is keeping his mutation in check with a special serum introduced in 2014's Days of Future Past.  During a Danger Room sequence, it becomes apparent Hank is having trouble controlling his beastly nature as he nearly loses control. Early in the first act, we also learn Hank has been helping a scientist who has a similar mutation.

 

Hank has provided the man with a sample of his serum, but things have taken a vicious turn. Hank goes in search of the man, who he discovers has been terrorizing the Inuit village. The journey all leads to a showdown in which Hank teams up with Wolverine, whom Prof. X has located using Cerebro. The very end of the film ends with a tag revealing the villain Mr. Sinister has been watching the proceedings.

 

"The idea was we would have Sinister as this multi-film villain orchestrating things," says Burton, who in addition to once working as Ottman's assistant, is a freelance contributor to THR. "We wrote a late-'80s outline of an Omega Red film where the idea is Sinister is testing the X-Men."

 

Ottman put out feelers to Fox and he was informed that because the -script used core X-Men characters such as Prof. X and Beast, it would need the signoff of Simon Kinberg, the filmmaker who was a key architect of Fox's X-Men plans and who was working on Dark Phoenix at the time.

 

Kinberg politely declined to read the -script to avoid becoming unduly influenced by it. Part of Kinberg's rationale was he was thinking of reintroducing Wolverine back into the X-Men world following Hugh Jackman's retirement, so the use of Wolverine in any other movie would only muddy the waters. Ottman had no hard feelings, though by this point he'd become so attached to the idea that he would have pushed to direct the film himself had Fox been interested. 

 

Back when Ottman was reworking the -script, he read it from an editor's point of view, trying to pinpoint areas he believed could cause trouble down the road in postproduction. He honed that editor's eye on the X-Men films, and last year earned an editing Oscar for Bohemian Rhapsody. 

 

"It was always in my own self-interest to beg and plead to fix problems that could blow up in my face later. I was also writing 110 minutes of music. I could not afford to have a movie in post that had problems," says Ottman of his days working on X2: X-Men United, Days of Future Past and Apocalypse. 

 

One such change Ottman pushed for came in Days of Future Past. In the original -script, Raven (Jennifer Lawrence) comes back to the X-Mansion to talk to Charles early in the film. But as the entire plot hinged on the X-Men stopping Raven from assassinating the villain Bolivar Trask (Peter Dinklage), Ottman worried the audience would be asking why the team didn't just capture her at that point in the film.

 

He requested a rewrite after seeing the scene filmed, and it ultimately resulted in a scene in which Prof. (James McAvoy) speaks to Raven remotely using Cerebro. 

 

"I said, 'Raven has to be contacted by Charles. Maybe she's at a train station or something, and this is the way he communicates with her without her coming back. She has to be uncontained,'" recalls Ottman. "Simon [Kinberg] wrote a scene with her in the airport. We did that while we were there [during production]. If we had that realization back in L.A. [during post] we could have had to shoot an entire airport sequence. That would have been massively expensive."

 

Ottman and Burton are sharing the -script for Fear The Beast now for fun as the 19-year X-Men saga comes to an end with last weekend's Dark Phoenix. Both note this was still an early draft, and hope it will be judged as such. Had the film actually been made, it would have gone through many more iterations.

 

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2,440 posts

Sounds like a pretty cool premise, no wonder Kinberg tossed it aside.

Another homerun for Simon!

 

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Fox should have done this after the initial X-Men trilogy, rather than a Wolverine trilogy or prequels. They could have had Mister Sinister as their version of Thanos over the past 10 years, setting aside the team & building more character development on individuals. Bringing out 1 film per year with lower production budgets, leading up to a 2 part X-Men film where all of the characters are together again. It could have been Fox's version of Infinity War/Endgame. I think they saturated they market, as 9 of their 12 X-Men films were basically team movies excluding The Wolverine, Deadpool & Logan imo. This is how I would expect Feige to introduce X-Men into the MCU. They have so many more properties to deal with at this point that they might not make trilogies for every character moving forward. Next years Black Widow film could be the first example.

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