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The Wild Wacky World of Esoteric Oddball Comics!
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303 posts in this topic

49 minutes ago, catman76 said:

The Ribticker fox giant is full of really weird awesome stuff and I think it might hold the record for most suicides in one comic book. There are four suicides in this comic, two in one story alone lol

I’m sure at least one of these stories could be reasonably traced back to Ellis Chambers, though lately, I’ve been discovering funny animal art arguably as interestingly weird as his art. DC artist Lou Ferstadt seems to have contributed more art to Fox than most may have thought, including funny animal art, particularly for Fox’s giant-sized comics. His signed funny animal art done for other publishers very much makes me wonder:

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Source: CB+

Edited by Electricmastro
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1 hour ago, Electricmastro said:

I’m sure at least one of these stories could be reasonably traced back to Ellis Chambers, though lately, I’ve been discovering funny animal art arguably as interestingly weird as his art. DC artist seems to have contributed more art to Fox than most may have thought, including funny animal art, particularly for Fox’s giant-sized comics. His signed funny animal art done for other publishers very much makes me wonder:

 

 

 

 

Yep Chambers drew probably half of the Ribtickler giant and it's in his super fast reefer style. He would lock himself in his apartment with tons of weed and heroin and crank out an entire 52 comic or more over a weekend.

Funny animal comics are the most interesting to me, most were done by animators from Fleischer and Terrytoons on the side for some extra money. All the animation studios and comic publishers were within walking distance of each other in New York. Ferstadt was a big time New York guy, had many newspaper strips going, did tons of mural work all around New York so I am sure he was doing some comic book work on the side for anyone too. Publishers would also just buy art from basically anyone that came in and it seems really didn't care at all about what funny animal stuff they published so you get this crazy off the wall stuff that borders on outsider art , art brut stuff that's completely out there and nuts.

For some reason it all got reigned in by 1950. All that stuff disappeared and everything became really bland and predictable. Even Ellis Chambers' early and mid 1950s stuff is almost unrecognizable, the life is gone out of it. I guess publishers and editors stopped just accepting and publishing anything at all and demanded some sanity for some reason. Most likely to try and compete with the slick Disney comics which were the best selling comics selling in the millions per issue. it's a shame.

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