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Seduction of the Innocent: New stuff discovered
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50 posts in this topic

On 10/5/2020 at 9:01 PM, Electricmastro said:

Also, in 1951, Senator Capehart accused Sad Sack Goes Home as being Socialist propaganda. If people will be ready to point of Seduction of the Innocent, then they should be ready to point this out too:

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That's a great find. Not all copies were burned, since a few are for sale on the Internet.

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On 10/2/2020 at 7:40 PM, Sarg said:

How many more untraced/unknown references in SOTI still exist? 

I'm still amazed that so many were known by 1980. 

 

On 10/5/2020 at 12:44 PM, sfcityduck said:

Steve's website www.lostsoti.org has a list of what's left.

 

Thanks for the plug, @sfcityduck.  I need to update the site, but here are the "Lost SOTI" books that haven't been found yet.  At my site (www.LostSOTI.org), you'll find others that haven't been found, but which may not exist because they come from questionable sources (like a child telling Wertham or an assistant what they thought they read in a comic, as opposed to Wertham witnessing the comic himself.)

Page(s) Quote from unknown SOTI comic Notes
8 Here is the lecherous-looking bandit overpowering the attractive girl who is dressed (if that is the word) for very hot weather ("She could come in handy, then! Pretty little spitfire, eh!") in the typical pre-rape position. Later he threatens to kill her:
"Yeah, it's us, you monkeys, and we got an old friend of yours here... Now unless you want to see somp'n FATAL happen to here, u're gonna kiss that gold goodbye and lam out of here!"
8-9 Here is violence galore, violence in the beginning, in the middle, at the end: ZIP! CRASH! SOCK! SPLAT! BAM! SMASH! (This is an actual sequence of six pictures illustrating brutal fighting, until in the seventh picture: "He's out cold!")  
9 …graphic pictures of the white man shooting colored natives as though they were animals: "You sure must have treated these beggars rough in that last trip though here!"  
106 In a typical specimen a man-eating shark changes into a girl. You are shown the gruesome picture of an arm bitten off by the shark with blood flowing from the severed stump. And the moral ending? "No one would ever believe . . . that the ghost of a lovely girl could inhabit a shark's body..."  
111 In another comic book the murderer says to his victim: "I think I'll give it to yuh in the belly! Yuh get more time to enjoy it!"  
111 "His body was torn to shreds, his face an unrecognizable mass of bloody and clawed flesh!"  
112 In a Western comic book the "Gouger" is threatening the hero's eye with his thumb, which has a very long and pointed nail. This is called the "killer's manicure." He says: "YORE EYES ARE GONNA POP LIKE GRAPES WHEN OL' GOUGER GETS HIS HANDS ON YOU!... HERE GO THE PEEPERS!"  
114-115 A four-year-old boy in Florida looked through his brother's comic books and his mother found him under a tree stark naked, with a long knife in his hands. Stunned, she asked him why he had undressed himself, and what he was doing. He replied, "The man in the comics did it." Later he showed her pictures where some "Mongols" had a white man stripped naked and one of them had a long knife to cut out the American's tongue.  In Captain Marvel #140, the villains are "Mongols", but there are no scenes in the book that match this description.
137 I can match this almost verbally [Note: Did Wertham mean 'verbatim'?]: "Let's see you try to take me, you big brave coppers!" says a comic book on my desk. This quote sounds like a paraphrase of the most famous quote from real-life criminal "Two-Gun Crowley". His story was told in Hunted #13, Justice Traps the Guilty #4, Justice Traps the Guilty #59 and War Against Crime #2 (although E.C.'s story is about "Hank 'Two Gun' Corley" rather than "Frank 'Two Gun' Crowley", it's clear who the protagonist is). This quote comes from none of those comics. Crowley's story is also told in Crime Does Not Pay #46, Murder Incorporated #10 and Sky Sheriff v1#1.
159 In a recent comic book which has the "Seal of Approval of Comics Magazine Publishers," and is sold in New York subways, you learn that after a robbery you can escape more easily if you shoot out the source of light; you learn how to trade in guns; how to hijack ammunition; how to impersonate regular soldiers (I have had several cases of young people doing just that); and, of course, how to torture and kill a "squealer." A search of GCD for hijacking stories returns a number of crime comics, but the only one with the ACMP seal is Justice Traps the Guilty #11. However, that comic does not contain this lost SOTI reference. GCD also shows several comics with a title that involves squealers. Based on that search, this reference is not in Crime Does Not Pay #89, Complete Mystery #4 or All True Crime Cases #34.
159 In one which has the "Seal of Approval of Comics Magazine Publishers" young men fake disease to get out of the army.  
159 "Didn't I bluff my way out of the army?" says the hero-criminal. "Got a medical discharge without having anything wrong except indigestion! If you work it right, no doctor in the world can prove you're bluffing!" It's likely this is the same one mentioned in the prior reference.
160 Another comic book shows how a youngster can murder for profit. He gets a job as a caddy, loses the ball, then kills the player when he goes searching for it. In searching for Golden Age stories about golf, we found that this is not from Journey into Mystery #13 "Keep off the Grass"; Tales from the Crypt #36, "How Green was my Alley"
160 "Fixing" of sporting events has recently been front-page news. I have one accused boy under psychotherapy right now. In comic books that is old stuff: "Here's 500 now, and you'll get 500 when it's over!" Although this could be a reference to any sporting event, it seems most likely this dialogue comes from a "fixed" boxing match. According to eBayer Habib, this is NOT in the boxing story in Racket Squad in Action #9. David T. Alexander was kind enough to point out that although DC's Mr. District Attorney #3 does contain a line about the "fixing" of a boxing match, it is not the book referenced here. Shock SuspenStories #4 also contains a boxing story, but not this one. Man Comics #6 contains a boxing story which has not been checked for this reference, but seems unlikely to be this one since the Man #6 story is about murder in the ring. Crime Detective v1#10 and Crime Must Pay the Penalty #31 each have a story about fixing a boxing match, but it's not the story to which Wertham was referring.
161 Forgery is, of course, also described in comic books. The preferred method is to pick up a blotter which has been used and copy the signature with the aid of a mirror.  
161 From one book you can learn how to cut through the glass and break into a store and how to stop the noise when you do break in: "Pile the blankets on to smother the noise!"  
162 A man's pocketbook is stolen on the subway. Millions of little boys learn how to do that: "Did someone shove a newspaper in your face? And were you shoved from the rear at the same time? I can see that's what happened. The pickpocket got it while you were upset by the shove." Lesson completed.  
162 How to steal a woman's pocketbook is outlined, too. According to the stories it may be done skillfully and peacefully, but if that does not work, just hit them over the head.  
162 In some comic books it is shown how the youngest tots are picked up bodily, held upside down and shaken so that the coins will fall out of their pockets. It could be this was a scene of comic relief in a GA Daredevil book; that's one place to look, anyway.
162-163 Often comic books describe real crimes that have been featured in the newspapers. In adapting them for children the following points are stressed: the daring and success of the criminals is exalted; brutal acts are shown in detail; sordid details are emphasized; if there are any sexual episodes they are featured. In 1952 three men escaped from a penitentiary. They stole cars, evaded the police, kidnapped people, held up a bank, and were finally caught in New York where they were living with three girls. A real children's story! In the first picture there is an unmade bed, a half-nude man and a girl. The prison break is described like a heroic feat. The ease with which you can steal cars in the country from a farmer is pointed out to youngsters who do not know that yet. One of the criminals boasts to a little boy that he has killed fifteen or sixteen people, "I lost count."  
163 The girls living with the criminals are featured, two of them hiding behind a shower curtain. There are seventy-six pictures of exploits; in the seventy-seventh picture the police take over with a cheap wisecrack.  
178 Another boy defended Crimes by Women and showed a copy of Penalty which he said was worse. ""It shows how to commit burglaries, holdups. A gangster has a hand on a girl's shoulder. He is working his way down to her headlights."" This is one that may never be found. All issues of Crime Must Pay the Penalty have been reviewed, and several instances have been found that involve a gangster putting his hand on a girl's shoulder and also involve holdups. It's likely that this reference comes from issue #3, because issue 3 was used in the NY State Legislature's investigation of comic books, to which Wertham contributed. Unless the information turns up in Dr. Wertham's files, we'll never know for sure which comic this is. Possible candidates:
Crime Must Pay the Penalty #3
(Story also reprinted in #36)
Crime_Must_Pay_the_Penalty_03_Hand_on_Shoulder.JPG
Crime Must Pay the Penalty #17
Crime_Must_Pay_the_Penalty_17_Hand_on_Shoulder.JPG
Crime Must Pay the Penalty #23
Crime_Must_Pay_the_Penalty_23_Hand_on_Shoulder.JPG
Crime Must Pay the Penalty #25
Crime_Must_Pay_the_Penalty_25_Hand_on_Shoulder.JPG
Crime Must Pay the Penalty #28
Crime_Must_Pay_the_Penalty_28_Hand_on_Shoulder.JPG
182 In one comic book with a story on "the man who shanghaied more than 1,000 men from the San Francisco docks," there is suddenly - unrelated to the story - an illustration showing large in the foreground only the lower part of a girl's legs, in net stockings and very high-heeled red shoes. Although the following contain stories of shanghais in San Francisco, they do not fit Wertham's decscription: Buccaneers #23, Famous Crimes #8, Inside Crime #3, Outlaws #12 (which is a reprint of Western Killers #61), War Against Crime #3, Western Killers #61, or Women Outlaws #3. It could be Prize Comics Western #v9#2 (#81), which features the story "Bandits of Barbary."
     
     

 

 

 

 

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On 7/29/2022 at 10:45 PM, Susanville said:

Great thread. Have to share my Ringo(?).

Ringo? SOTIcollector has had some great ideas. His site is awesome and his passion is second to none. But naming the Peter Wheat variations out of order after the Beatles is not one of his great ideas. Just sayin'.

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On 7/30/2022 at 3:38 AM, sfcityduck said:

Ringo? SOTIcollector has had some great ideas. His site is awesome and his passion is second to none. But naming the Peter Wheat [oops... Peter Penny] variations out of order after the Beatles is not one of his great ideas. Just sayin'.

Hmmm.  I was specifically looking for something without an order because the sequence of the books is not completely clear.  That's why I avoided "first/second/third" and "A/B/C" nomenclature.

It is clear that the John and George versions came first and second, but I have no way of knowing which of those two came first.  It's clear that version Ringo was the third of those four, and Paul was the last of the four.  So the sequence could have been

John->George->Ringo->Paul, or it could have been

George->John->Ringo->Paul.

I'm wondering what would be considered the correct sequence for this naming convention?  Does this naming convention imply a sequence of John, Paul, George, Ringo, because that's the most common sequence of those names? Would it be by birth date, earliest first:  Ringo, John, Paul, George?

Would it be by the date they joined The Beatles (or predecessor, such as the Quarrymen)?  That might work here, because John and Paul started together, then added George, then added Ringo.  This would fit with the "can't-really-say-which-of-the-first-two-was-the-first-one" narrative of the Peter Penny editions.

And then what would become of this new, taller one that I just added to my collection?  Is that George Martin?  Billy Preston? 

Edited by SOTIcollector
fixed tiny typo
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On 8/2/2022 at 11:27 AM, SOTIcollector said:

Hmmm.  I was specifically looking for something without an order because the sequence of the books is not completely clear.  That's why I avoided "first/second/third" and "A/B/C" nomenclature.

It is clear that the John and George versions came first and second, but I have no way of knowing which of those two came first.  It's clear that version Ringo was the third of those four, and Paul was the last of the four.  So the sequence could have been

John->George->Ringo->Paul, or it could have been

George->John->Ringo->Paul.

I'm wondering what would be considered the correct sequence for this naming convention?  Does this naming convention imply a sequence of John, Paul, George, Ringo, because that's the most common sequence of those names? Would it be by birth date, earliest first:  Ringo, John, Paul, George?

Would it be by the date they joined The Beatles (or predecessor, such as the Quarrymen)?  That might work here, because John and Paul started together, then added George, then added Ringo.  This would fit with the "can't-really-say-which-of-the-first-two-was-the-first-one" narrative of the Peter Penny editions.

And then what would become of this new, taller one that I just added do my collection?  Is that George Martin?  Billy Preston? 

Great questions!

Normal order is John, Paul, George and Ringo because that's how they entered the group. Used to be John, Paul, George, and Pete (and for a short time Stu).  Pete got fired and Stu left before it really took off. So they don't count.

The "fifth Beatle," that's a tough one. No doubt that George Martin was their most significant musical collaborator in the first four fifths of the 60s, but he'd never consider himself a Beatle or perform with them. Billy Preston not only contributed to Let it Be and Abby Road, but he performed in their last live performance and two singles were credited to the "Beatles with Billy Preston." Those credits, however, make it clear that Billy wasn't a Beatle. He was outside the Beatles. So he's not the fifth Beatle either. Eric Clapton played on a few songs, and John wanted to get him to replace George if George stuck with quitting, but George didn't. So that just shows they didn't think of Clapton as the fifth Beatle either.

No, the best candidate for the "fifth Beatle" is Mal Evans. He was their friend and roadie from the beginning, he stuck with them through the end and beyond as an employee, and that moment in "Get Back" when he's contributing the hammer piece to Maxwell's Silver Hammer is fantastic! An article on Mal notes:

Quote

Mal even got to be on the back cover of “Sergeant Pepper.” Paul could not make one of the photo shoots for the album, so Mal put Paul’s costume on and kept his back to the camera for the photograph. (Curiously, many fans pointed to this anomaly as proof that Paul was dead.) Being in the studio more gave Mal a chance to appear on many Beatles classics. He played the bass drum and sang in the chorus of “Yellow Submarine,” played bass harmonica on “Being for the Benefit of Mr. Kite,” percussion on “Magical Mystery Tour,” trumpet on “Helter Skelter” and handclaps on “Birthday.” He struck the anvil on “Maxwell’s Silver Hammer,” rang the alarm clock on “A Day in the Life,” and he was one of three people who struck the famous E major chord on three different pianos to end that song.

So I'd call the "fifth" Peter Penny "Mal."  

Glad I could be of help straightening this all out for you!  :wink:

Edited by sfcityduck
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