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Tales from the Island of Serendip
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The Lost Steps

 

Alejo Carpentier's The Lost Steps (Los Pasos Perdidos) tells the story of a mestizo who forsakes his roots in Latin America and how he strives - and ultimately fails - to reconnect with them.

 

He is a composer, who as a student dreamt of discovering the forgotten source of music - theorizing that music came from imitating the sounds of nature - birdsong, animal cries, running water, wind and thunder. In essence he loses his soul to Hollywood. He takes the money, but feels empty and unfulfilled.

 

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Through the intervention of his old tutor, he reluctantly accepts a commission to journey from the mouth to the source of the Orinoco. In undertaking this journey, he moves through time as well as space. His guide is an old man called the Adelantado, from whom he begins to acquire an altered perspective on past, present and future. In an obscure village at the headwaters of the river, he discovers a "lost" tribe who in physiology seem closer to Neanderthals than ourselves. He hears their music, and confirms his theory.

 

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He falls in love with a woman of the tribe, and begins to compose a symphony he entitles Threnody which he describes as “a magic song intended to bring a dead person back to life.” He is of course describing himself.

 

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Edited by Flex Mentallo
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Then, absurdly, he runs out of paper - which means he will be unable to complete his symphony. Then he makes a terrible, tragic mistake. He feels he must return to New York to sever his ties there before returning permanently to the tribe and the woman he loves. And now he sees the city - civilization - with different eyes. Carpentier describes his reaction in a wonderful passage of lyrical prose...

 

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"Fear of rebuke, of time, of the news, of the collectivity that multiplied its forms of slavery. There was fear of one’s own body, of the sanctions and pointing fingers of publicity; there was fear of the womb that opens to the seed, fear of the fruits and of the water; fear of the calendar, fear of the law, fear of slogans, fear of mistakes, fear of the sealed envelope, fear of what might happen…"

 

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"Because my trip had upset my ideas of past, present, future. This could not be the present, which would be yesterday before humanity had been able to live and contemplate it; this chill geometry without style, where everything grew weary and old a few hours after birth, could not be the present."

 

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